Archive for William Meikle

My review of William Meikle’s Carnacki: The Edinburgh Townhouse & Other Stories

Posted in Horror, Occult Detectives with tags , , on September 23, 2017 by Occult Detective

William Meikle has a new collection out featuring all new tales starring William Hope Hodgson’s occult detective Thomas Carnacki.



The Edinburgh Townhouse and Other Stories is an assemblage of cracking good yarns written by an author who is at the top of his game. Meikle is adept at immolating* Hodgson’s prose, but I find Meikle’s take on Carnacki even more compelling.

Don’t get me wrong, I love Hodgson’s tales and consider Carnacki an indispensable fixture in the occult detective tradition, but William Meikle, who I am proud to count as a friend and compatriot, does far more with the character.

The stories, while set firmly in the era, breathe with a more sinister air about them, with a more urgent sensibility.

My favorite of the stories closes out the collection and is as fine an example of the occult detective genre as you’re apt to find. Once again in service to a young Winston Churchill, whom is written brilliantly with what seems to be the perfect voice for this historic figure, Carnacki is charged to dispel a lingering evil within The White Stag Inn, a place where hermetic sorceries were employed by men  with devilish intent, succumbing to the temptations of carnal revelries and feeding their hunger for power beyond measure.

Into the Light is a rollicking good yarn, atmospheric and perverse, with layered, nuanced storytelling that keeps you on the edge of your seat. The other tales in the collection, including The Cheyne Walk Infestation, The King’s Treasure, and The Edinburgh Townhouse, are all equal to the task.

Willie is, by no stretch of the imagination, one of our generations finest writers. He is unapologetically firmly entrenched in pulp fiction traditions, and by the gods, his words never cease to thrill me to no end.

Carnacki: The Edinburgh Townhouse and Other Stories is published by Lovecraft eZine Press and available now from Amazon. Do yourself a favor and pick this one up, and if you haven’t already, there are two previous Carnacki collections that will offer the same spinetingling chills as this one…

And the covers by Wayne Miller are almost worth the price of admission alone.

Let’s be honest here, if William Meikle’s name is on the book, it’s well worth picking up. You’re guaranteed one helluva ride.

*I meant “emulating”, but in a case of cognitive phonology typed “immolating” instead. I was going to change it, but quite like the visual of Willie sacrificing Hodgeson’s words on some sort of pagan altar, capturing his essence and style, to be delivered by black magic to those of us eager for such tales.

Occult Detectives are alive and well

Posted in Horror, Occult Detectives with tags , , , , , , on July 16, 2017 by Occult Detective


I keep hammering the point, but its one I never tire of. The occult detective genre encapsulates so many of my obsessions.

As a writer, I get to explore witchcraft, magic, and religion from the inside out, I get to delve into the mysteries of the universe and dissect the workings of mind, body, and spirit.

As a reader, I get to experience those same themes from the other side of the fence, peeking behind the veil through someone else’s eyes and experiences. I get to thrill at the mysteries these authors have dreamed up, and take a ride through their psyches.

Cover 01 First BornHaving a new book out, First Born: Tales of the Liber Monstrorum, has found me reminiscing about some of my favorite literary occult detectives, from John Constantine to John Thunstone, Harry Dresden to Harry D’Amour, Adam Sinclair to Diana Tregarde…

I have sang the praises of a near countless number of authors who have added to the genre and now, I want to shine that spotlight once more on five modern takes on the occult detective by authors who have made contributions to genre that are sure to be remembered.

5. James Brimstone (Jason Ridler)

Brimstone may have only appeared in one novel this far, Hex-Rated, but he sure made a lasting impression, largely due to the Brimstone Files being set in 1970s Hollywood and all that that entails.

4. Charles St. Cyprian (Joshua Reynolds)

St. Cyprian and his assistant, Ebe Gallowglass, shine in Reynolds’ The Royal Occultist tales. Set in the ’20s, they defend “the battered and dwindling British Empire against threats occult, otherworldly, infernal and divine”.

3. Derek Adams (William Meikle)

If you like your private eyes hard-boiled, look no further than Adams, who stalks the shadowy byways of Glasgow with the same cynicism one might find in Sam Spade…if he had to deal with witches and water demons.

2.  “Golden” Dawn Seliger (Nick Mamatas)

If ever a character deserved a follow-up novel, it’s “Golden” Dawn, who leapt off the pages of Mamatas’ brilliant “Love is the Law”. She’s a teenage devotee to Crowley and Trotsky. If that doesn’t sell it, nothing will.

1. Levi Stoltzfus (Brian Keene)

Stoltzfus is an ex-Amish magus who traverses the back roads with his dog Crowley in a magical Amish buggy, drawn by a horse named Dee, and armed with a magical grimoire called The Long Lost Friend.

There’s a whole host of other authors who “get it right” too. Folks like Steven Shrewsberry, Justin Gustainis, Charles Rutledge, Greg Mitchell, Nick Kaufmann, Amanda DeWees, Tim Prasil, Christine Morgan, and on and on. For that matter, pick up a copy of Occult Detective Quarterly and you’ll see the truth for yourself.

The occult detective genre is alive, well, and kicking.

Now, while I have your attention, maybe I can interest you in trying First Born on for size. It’s available in the following online outlets:

Trade Paperback

Trade Paperback

Trade Paperback



The 2014 Occult Detective Awards: Fiction

Posted in Occult Detective Awards with tags , , , , , on January 2, 2015 by Occult Detective

5thawardsDay two of the 5th Annual Occult Detective Awards finds us looking into the senses-shattering world of horror fiction. I tend to read a lot. Not as much as some, but a helluva lot more than most. I made it through more than 80 works this year (fiction and non-fiction combined) but picking out the best of the lot is never easy. You’ll recognize some familiar names in the following list. Why? Because when you do right by me, I revisit the well. Great storytellers are hard to come by. Write a story that captures my imagination and I’ll be back for more.

Best Novel
Revival by Stephen King

King releases his inner Lovecraft in this superb tale of loss and madness. Disquieting, there is an almost infinite sadness in Revival that bears down on you. King is a master of character and you’ll find a rich tapestry of such within. As for the story itself, well, it certainly went places I wasn’t expecting, especially in the novel’s final pages.

Best Novella
The Last of the Albatwitches by Brian Keene

I am unabashedly a huge fan of Keene’s Levi Stoltzfus. Invoking the spirit of the late, great Manly Wade Wellman, Keene has delivered another tense thriller featuring everyone’s favorite ex-Amish occult detective by taking a local folk tradition and dialing it up to 11. Why? Because that’s what Keene does and he does it well.

Best Collection
The Nickronomicon by Nick Mamatas

One of the things I love about Mamatas is that he’s a literary chameleon and with this collection of Mythos tales he gets to showcase this talent in strange, perverse, and subversive ways. Mamatas is always fresh and innovative, and The Nickronomicon finds him at his neoteric finest. With a knack for seeing not only the man behind the curtain, but also the ghost inside the machine, Mamatas is able to take the reader on a surrealistic ride through chimerical and apocryphal nightmares like few others.

Best Anthology
The Weiser Book of Horror and the Occult, edited by Lon Milo DuQuette

You’d be hard-pressed to find a better assemblage  of esoteric tales. Featuring 15 masterpieces of occult fiction from such notable authors as M.R. James, H.P. Lovecraft, Aleister Crowley, Arthur Machen, and more, this is an anthology I’ve already earmarked to be a Hallowe’en staple.

Best Short Story
“Bedlam in Yellow” by William Meikle (In the Court of the Yellow King, edited by Glynn Owen Barrass)

In the Court of the Yellow King is a brilliant Mythos anthology, but “Bedlam in Yellow” shines just a little bit brighter because Meikle does the unthinkable by writing a Carnacki tale that rivals Hodgson’s original stories. A neo-pulpist, Meikle is a consistent and reliable storyteller, regardless of genre, but he really sings when he delves into occult detective thrillers.

A Sneak Peek inside A Cat of Nine Tales

Posted in Archive with tags , , , on March 22, 2012 by Occult Detective

Here’s a peek at what the title pages will most likely look like in Rookhaven’s Occult Detective Anthology — A Cat of Nine Tales. Each story will be introduced, ala Rod Serling, by Landon Connors and his faithful (though sometimes smart-assed) familiar Boo, characters from my own Liber Mysterium series. This is my fourth or fifth attempt at wrangling these pages, each pass finding me striving to get further away from them looking like comic book pages. I think this is pretty close to the mark I was looking for.

The above illustration showcases William Meikle’s A Slim Chance, so I guess the proverbial cat’s out of the bag regarding at least one author’s inclusion in the anthology. The table of contents will be released once Tracy and Thaddeus have had a chance to pore over all the entrants.

Meet Carnacki: Ghostfinder by William Meikle

Posted in Archive with tags , on January 5, 2011 by Occult Detective

Today on the Occult Detective I turn the reins over to my good friend William Meikle. A Scotsman by birth and storyteller by trade, Willie has taken the small press by storm of late, finding his niche in the fledgling ebook market. He is one of those brave souls who is helping to reshape fiction for the 21st Century. So, without further ado, I give you William Meikle and his dance with the Supernatural Thriller.

We’ve had the Ghostbusters and the Scooby Gang, John Constantine and Buffy, and Sam and Dean, the Winchester Brothers. But before all of them one man carried the fight to the forces of evil, armed only with his wits, his science, and his arcane knowledge.

Meet an Edwardian occult detective who goes where no other gentleman will dare, venturing deep into neolithic barrows, into the crypts of ancient cathedrals and fighting the elemental powers of darkness on his own terms.

Meet Carnacki: Ghostfinder

I write to escape.

I grew up on a West of Scotland council estate in a town where you were either unemployed or working in the steelworks, and sometimes both. Many of the townspeople led hard, miserable lifes of quiet, and sometimes not so quiet desperation. I was relatively lucky in that both my parents worked, but they were both on shifts that rarely coincided, and I spent a lot of time alone or at my grandparent’s house.

My Granddad was housebound, and a voracious reader. I got the habit from him, and through him I discovered the Pan Books of Horror and Lovecraft, but I also discovered westerns, science fiction, war novels and the likes of Mickey Spillane, Ed McBain, Alistair MacLean, Dennis Wheatley, Nigel Tranter, Arthur C Clarke and Isaac Asimov. When you mix all that together with DC Comics, Tarzan, Gerry Anderson and Dr Who then, later on, Hammer and Universal movies on the BBC, you can see how the pulp became embedded in my psyche.

When I was at school these books and my guitar were all that kept me sane in a town that was going downhill fast. The steelworks shut and employment got worse. I -could- have started writing about that, but why bother? All I had to do was walk outside and I’d get it slapped in my face. That horror was all too real.

So I took up my pen and wrote. At first it was song lyrics, designed (mostly unsuccessfully) to get me closer to girls.

I tried my hand at a few short stories but had no confidence in them and hid them away. And that was that for many years.

I didn’t get the urge again until I was past thirty and trapped in a very boring job. My home town had continued to stagnate and, unless I wanted to spend my whole life drinking (something I was actively considering at the time), returning there wasn’t an option.

As I said before, I write to escape.

My brain needed something, and writing gave it what was required. That point, back nearly twenty years ago, was like switching on an engine, one that has been running steadily ever since.

And most of the time, the things that engine chooses to give me to write are very pulpy. I’d love to have a chance to write a Tarzan, John Carter, Allan Quartermain, Mike Hammer or Conan novel, whereas a lot of writers I know would sniff and turn their noses up at the very thought of it.

Most of the aforesaid characters are trademarked and off-bounds for writers without paying licensing fees.

Carnacki however is fair game.

Nowadays there is a plethora of detectives in both book and film who may seem to use the trappings of crime solvers, but get involved in the supernatural. William Hjortsberg’s Falling Angel (the book that led to the movie Angel Heart) is a fine example, an expert blending of gumshoe and deviltry that is one of my favorite books. Likewise, in the movies, we have cops facing a demon in Denzel Washington’s Fallen that plays like a police procedural taken to a very dark place.

My interest goes further back to the “gentleman detective” era where we have seekers of truth in Blackwood’s John Silence Sherlock Holmes… and William Hope Hodgson’s Carnacki.

Carnacki resonated with me immediately on my first reading many years ago. Several of the stories have a Lovecraftian viewpoint, with cosmic entities that have no regard for the doings of mankind. The background Hodgson proposes fits with some of my own viewpoint on the ways the Universe might function, and the slightly formal Edwardian language seems to be a “voice” I fall into naturally.

These eight tales see Carnacki pitted against a variety of foes. and sees me working out more aspects of the cosmology.

There will be more to come.

I write to escape.

I haven’t managed it yet, but I’m working on it.


William Meikle is a Scottish writer with ten novels published in the genre press and over 200 short story credits in thirteen countries. He is the author of the ongoing Midnight Eye series among others, and his work appears in a number of professional anthologies. His ebook THE INVASION has been as high as #2 in the Kindle SF charts. He lives in a remote corner of Newfoundland with icebergs, whales and bald eagles for company. In the winters he gets warm vicariously through the lives of others in cyberspace, so please check him out at

You can get CARNACKI: HEAVEN AND HELL in ebook for only $1.99 from:


The Author Spotlight shines on Neil Jackson

Posted in Archive with tags , , , , , on August 1, 2009 by Occult Detective

ghost_writerOne thing sorely lacking in this industry are people who are willing to tell it like it is, and that’s why Neil Jackson is such a breath of fresh air. Piloting the fledgling small press Ghostwriter Publications through the stormy seas of a crippled world economy, Jackson is a hands on kind of guy, with a clear vision and no shortage of creative ideas. And he’s got no interest in pulling punches. As I’ve recently been accepted into the fold, I thought it was high time that I showed you why I was desperate to work with the man, and what better way to do that than to shine the Occult Detective Spotlight on him…

Before I draw you into a discussion about Ghostwriter Publications, I thought we might first concern ourselves with your own writing. What can you tell us about Celeste, the tale you contributed to Gaslight Grotesque: Nightmare Tales of Sherlock Holmes? Is it true this is your first published piece?

gaslight_grotesqueFirst submission and first acceptance, so I’m batting one for one…I’ll quit now, while I’m ahead. It came about when the co-editor of Gaslight Grotesque, the wonderful Charles Prepolec (who is one of those guys you wish you could be like), put out a call for a couple of stories. The length, canon and time line was challenging…8000 words in 5 days…especially when I only knew Sherlock Holmes from the movies. But a speed read of a few stories…a reading of the Arthur Conan Doyle letters, to get a feel of the author…and I was away. I combined an old sea mystery fave of mine, the Mary Celeste, added King George, a dash of the X-Files…and (can’t say any more…you’ll have to buy it later in the year).

I’m curious as to what books have influenced you as an artist? Do you lean toward certain authors or is there a particular genre that draws you in?

Artist?…now there’s a word I don’t think I’ll ever see anywhere near my name again. But for those who know me, it’s an easy answer. I love my creature features…especially anything yeti/bigfoot based along with water based creatures. Authors, that’s a bit harder, as I tend to go through phases in my reading choices. Guy N. Smith for the ‘nature amok’ stories, Steve Alten for the ‘Meg’ series and the underrated ‘The Loch’, Dean Koontz and more recently Brian Keene and William Meikle. In fact, if there was anyone that was tuned in to exactly what I like, it’s Willie. For me, he’s the sort of writer who deserves success and a wider audience…he’ll get it.

What writing projects are you working on now? When you don your writer’s cap are there certain rituals you undertake to invoke your muse or are you more of a craftsman with a set regimen?

I always have a number of projects on the go, but I prefer to concentrate my efforts on the work of other authors rather than my own. We didn’t set up Ghostwriter to publish my work, I’ll leave that to other egos…oops…publishers. I couldn’t concentrate on the work of authors who trust me to develop their work, if I was spending time working on my own, there would be too much of a conflict of interest. But I do have two novels and a couple of novellas sitting in my drawer, waiting to be unleashed.

The one that I hope will see the light this year is Boar…about a vengeful…pig. Jaws with tusks. And then we have one planned for spring release… Antarctic… and this one combines two faves, one of my heroes, Robert Falcon Scott and some creatures that come looking for Scott and his crew from out of the snow storms. I’m very much into historical novels and if I can get a twist on any events or  period from the past…then I’m game. Outside of my own stories, I’m coming to the end of ghosting two novels (both outside the genres I prefer)…and it’s not something I’m keen to do again.

I’m in no hurry to release my own work. If I can do a short story, now and again, I’m happy.

With regard to the ‘craft’…I’m structured (read boring). I tend to go with a title and idea first….then design a cover…now I start. A one page synopsis with the meat of the idea, the ‘what’s it about?’ Then we go into my favourite part, the step outline…basically what happens in each chapter. This takes about a week at the most…and is usually a paragraph or two in length. At this stage I can see mistakes in the storyline, pacing etc., so here the first changes are made. After I’m happy with the basic structure, then I dive in and look to get 45k done in a couple of months. I write with pencil and paper for the first draft, just to get the ideas down as quickly as they come to mind. Once this version is done, the typing, editing and honing begins. And, for me, that’s it. A few rereads, a few changes and we’re good to go…next book please. I’m not precious about my writing at all, I get a bigger thrill seeing a smile on someone elses face when we’ve produced their work in whatever form we are working in.

I’m aware that you got your start in film, wearing all the proverbial hats afforded, from screenwriter to producer. What was it that drew you to making movies, and I guess, as an extension of that, what has led you away from them?

I really got my start in local cable commercials…I much prefer commercials to working anywhere near film. I suppose it’s because it’s more solitary and that I can do 90% of the work alone. Like most, I was drawn to the thought of big lights and huge salaries. I studied like a nutter, reading anything and everything I could get my hands on. It wasn’t until about five years ago…when I met a serious industry professional, who was top of the production tree during the 70’s and 80’s, that I realised that I knew almost nothing that was of any value when it came to the business side of film. I learned fast when I was mentored and after a couple of false starts…I actually managed to complete a low-budget (aren’t they all) film, Toy Room, a couple of years ago, and will be releasing it in October.

I’ll dip back into film eventually…but for now, I can’t put up with the egos and the long lead-in times. If I’d had the business knowledge of the last few years and was able to go back fifteen years, I’d probably have committed myself to film and TV. I wrote a screenplay, Legion, about 16 years ago and began to develop it into something meaty. I was introduced to a number of sci-fi names…and sold the project. I thought I was the greatest thing since sliced bread…oh, how the mighty fall. And after signing a 35 page contract, was the first to be fired…about six weeks later. In hindsight, I was lucky, as the project then developed into Legionairres…the script to be shot bore nothing to my own work and the whole project became a bit of a nightmare for those involved. There are a few muppets out there who would love to tie me to the failed project…but sorry, I had nothing to do with it…my own failures were to follow.

Of course this brings us to the heart of why I’ve asked you here, being that you have launched a most ambitious publishing house, Ghostwriter Publications. You attracted me straight away by showcasing a stable of authors known for their pulp style. Was this a conscious choice on your part?

Ambitious?…well, I suppose so from some peoples perspectives, but I tend to meet many people over here, in England, with small minds and smaller aspirations. When Sarah and I set up Ghostwriter Publications, we had no idea how it would develop, I still don’t. We knew that there was a lack of those entertaining, pulp novels of the 60’s and creature feature novels of the 70’s and 80’s…we just wanted to see some of that style of work, back in vogue. And with the authors on our roster, I’ve only ever solicited one…the others ‘came a knocking’…and I’m glad most did.

The initial launch of titles from Ghostwriter, from the likes of the legendary Guy N. Smith no less, as well as such notable wordsmiths as Scott Nicholson, David Niall Wilson, and William Meikle (to name but a few), shows a clear dedication to providing what is almost like a throwback to the classic days of horror. What has impressed me by this is your honoring of a time honored tradition, while at the same time embracing new technologies and creative marketing. Tell us a bit about your game plan and strategy for revitalizing horror for the new millennium.

I think that I bit off more than I could really chew in 2009, and spread myself a bit thin. A few bad debts and that dents your cash flow – we experience the same problems as many other businesses, but we cut our cloth accordingly. If that means that books are delayed, so be it, I’m running a business not an ego rubbing clinic….there’s always an alternative for authors who don’t like it.

I’ve already nailed the submission list for 2010 (ok, I’ve left a few gaps)…and some from 2009 will be added to that list. I wish I could publish more, but it’s not just printing them…it’s distributing them. The majority of my time is spent on building quality distribution channels, not just putting up a website and getting a few books into a High Street store…and that takes time….especially in a market that is so fragmented.

I have to be careful when I’m looking at submissions and not make the choices all the same, just because I like it. Again, it’s a business first and foremost and I have to look at potential markets developing. I like merchandising and so we have key-rings, t-shirts and even desk clocks (stop laughing, you know you’d love one with your book artwork)…not meant as money makers per se, but to help create awareness and keep it there.

I’m always looking at new markets and to that end, we are moving into the YA market with best-selling childrens author David Jeffery next spring and will be developing his Beatrice Beecham character…but keeping it close to the genre with bags of supernatural action.

decendantcoversmWe are developing a new franchise, with Bob Freeman, in the guise of Wolfe and Crowe, two FBI agents who delve into the darker sider of the supernatural. This is something I’m really looking to getting my fingers on, as I see the opportunity to move into audio drama with them…especially as radio is making such a big comeback.

But the thing I’m really keen to develop is our ‘The Penny Dreadful Company’. We have released a number of chapbooks in the style of those from late19th century…and they are a proving a hit…so we have set up The Penny Dreadful Company…and it’s something that, for me, is more immediate. I can turn out a chapbook from submission to completion in less than a week (and that’s good for the author impatience).

But 2010 is basically for me to learn from the mistakes of 2009, hone the list to those authors who are not just talented, but a pleasure to work with. I don’t do overt negativity…and if you need someone to stroke your ego…that’s for your partner, or Mommy, to do.

We’ve already put out 40 odd products this year with more to come. Sarah and I will just keep working hard, learning and doing our best to hit sales targets that I think are achievable.

I look to market 5000 units, worldwide, of each title (not product), over a period of 12 months…and through all the various distribution methods available. That is a realistic target over that period of time. But I’m one of those people who needs goals and I’m fiercely competitive in reaching them.

What can we look forward to in the near future from Ghostwriter Publications?

We have a number of works that I know will do well…and without picking any favourites…they are Berserker…yeti versus Viking. The Valley…cowboy prospectors meet giant scorpions and prehistoric creatures in the late 1800’s…both by William Meikle. The Red Church…first UK release by Scott Nicholson…just a wonderful piece of work and Myth by newcomer, Ian Faulkner…a crytozoological story that just presses all the right buttons.

I, of course, realize that this is never a one man show. The people behind the scenes are often unheralded, but all important to any successful venture. What can you tell me about your staff?

Staff? I wish…it’s just Sarah and I. We do it all. Okay…we don’t voice the audio books, we leave that to the gifted Aaron Tucker…but outside that, almost everything else, is done by the pair of us. A couple of the book covers have come from outside, but in the main, the artwork, typesetting, websites, audio editing, video commercials…and the marketing…is done by my good self, with Sarah looking over my shoulder. Now you know why I work a 16 hour day…every day.

But we have a couple of freelance sales folk joining us in mid-August as I want to move into our first retail outlet asap. We did plan to do it in July of this year, but the leases were changed by new freeholders and I didn’t like the deal, so we’ll wait until something turns up that suits my needs.

I’d like to thank you for taking part in this Author Spotlight, Neil. Any parting words of wisdom for the budding creative types in our audience?

Just keep working at the craft…and learn patience. The reason I say this, is because you don’t always know what is going on at the publisher you have submitted or even sold to. You don’t know what their stockists are calling for to fill their limited space, the time for your tome may not be now…so schedules change. It’s not going to alter your life that much if the book comes out six months later. Remember you have ONE book…your publisher is looking at marketing more than just that work and is looking at a long term sales plan.

So read a lot, learn and practice the craft and think about what it is you want…adoration from your peers and an award from thirty folks who decide whether your work is worthy or a financially rewarding career (the pair rarely go together). Me…I like the cheques.

And if you’re ever considering submitting to us…consider this…extreme human on human violence and overuse of profanity, does not a horror story make. That sort of thing appeals to a few knuckle draggers…but not to the markets I’m looking that bring financial rewards.

Thanks for giving me the chance to rant, Bob, I’m looking forward to working with you….time for a cup of tea.

Addendum, 31 December 2009

I should note that I have parted company with Ghostwriter Publications and my occult detective novel, Descendant, is now placed with another publisher. I wish Neil and his fledgling press nothing but the best of luck on all future endeavors. The writing industry is a business of peaks and valleys and we all struggle to put our best foot forward, of maintaining our integrity and honor in an often cuthtroat arena. That Neil and I are no longer in business together should not reflect any animosity toward one another. We are all in the business of advancing our careers. That often times means altering our paths, but always pressing on and making the best of any given situation.


ADDENDUM, 11 March 2010

Here we are again. There seems to be a high volume of continued interest in this interview I conducted with Neil Jackson back in August of 2009. Seven months have passed and my how the weather has changed. Mr. Jackson, who for the most part always dealt quite fairly with me, has been under fire as of late. One need merely google the blokes name to find your way to negative missives blogged by authors who feel wronged by their dealings with him and his company, Ghostwriter Publications.

I am constantly being asked for my take on this and for my reasons for parting company with Neil and his outfit. Instead of waxing upon why I left, instead perhaps you’d like to know what led me to his door. Two words: William Meikle.

Willie and I share a common publisher, Karen Koehler’s Black Death Books, but more than that, I have always felt a kinship with this man that I’ve never met. He is an author that I greatly admire and respect. When he decided to hang his shingle outside Neil’s door, I followed suit. It’s really that simple.

A few months later I removed that shingle for reasons that are my own. There are others out there sharing their stories. You might find ammunition for your cannon there.

As for me, we live and learn. We dust ourselves off when need be and we live and learn again. Descendant is in the very capable hands of Belfire Press and will be available in August 2010, nearly a year to the day that I conducted this interview.

There’s a certain kind of synchronicity to that fact that I find very comforting.


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