Movie Review: Found-Footage “Documentary” Holes in the Sky: The Sean Miller Story

First of all, let’s get the disclaimer out of the way: Ash Hamilton is a good friend of mine. I’ve known him for twenty years. We co-managed a Books-A-Million, we kicked around various comic projects, we’ve broken bread, I’ve been a guest on a couple of different podcasts he’s hosted, and we generally share a common love for horror, fantasy, comic books, and, well, all manner of pop cultural and conspiratorial phenomena.

That said, if this movie sucked, I would tell you, and I would bust on him gleefully until he started to whimper.

Thankfully, this isn’t the case.

Holes in the Sky: The Sean Miller Story, written and directed by my pal, has raked in a Brinks Truck worth of awards and accolades… and I’m happy to report after finally viewing the thing, it’s worth every bit of praise.

Ever since The Blair Witch Project dropped many moons ago we’ve been waiting to see the found footage documentary genre taken to the next level. Hellier, that magnificent paranormal entertainment series from Greg and Dana Newkirk, Karl Pfeiffer, and Connor Randall, tapped into this in their two season opus and legitimized the hunger for this type of storytelling. Holes in the Sky, while not quite elevated to Hellier standards, is in that same vein and a compelling and nail biting love letter to all those things that gave me thrills as a child growing up in the rural Midwest.

Holes in the Sky explores “a documentary film crew’s efforts to make a movie detailing the 2013 alien abduction of Illinois resident Sean Miller. A five-day shoot turns into a life-changing experience for everyone involved as events spiral out of control.”

The strength of the film lies in the superb performances by all those involved. This story feels real. All the people on camera are believable. Everyone seems natural. And the creepiest moments are beautifully shot. Ash does a great job of building tension and delivering legitimate chills.

Look, I grew up on UFO and Bigfoot sightings, ghost stories, and abduction narratives. Ash’s love for these same things really comes through on camera, and by firmly grounding it in the “Midwestern Gothic” atmosphere, it delivers a believable and ultimately terrifying tale.

This is a movie you’re going to want to watch late at night with the lights off.

On a scale of 1-5, this movie gets a solid 6 from me.

Addendum: I mentioned Ash and I kicked around some comic ideas back in the day. Here’s a little sample of something we were working on some 15 or so years ago. We should really get around to finishing it…

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