Archive for the Crowleyana Category

Crowley’s Egypt

Posted in Crowleyana, Ghostwriters Society on December 8, 2009 by cairnwood

Wednesday 13 January 2010 at Treadwells Bookshop, London

Aleister Crowley’s Egypt

Paul Feazey – LAShTAL.COM

Magician Aleister Crowley (1875-1947), like many Edwardians, was enchanted by ancient Egypt, and felt a profound connection with it. The pyramids, the gods, and the magic all play an important role in Crowley’s system, Thelema. He travelled there numerous times, and it provided ongoing lifelong inspiration to him. Paul Feazey has travelled to many sites that featured in Crowley’s life, and brings back illustrations, anecdotes and analyses in a lively, personal illustrated slide lecture.

The speaker is owner and editor of what is probably the world’s leading website on Thelema, LAShTAL.COM.

Price: £7.00
Time: 7.15 for a 7.30 start

To sign up for an event, call +44 (0) 20 7240 8906 with card details. Payment in person to the shop in opening hours also welcome.

All evening talks are followed by drinks.

info@treadwells-london.com. More events and shop info on www.treadwells-london.com.

The Feast of Aleister Crowley

Posted in Celebrity Passings, Crowleyana, Ghostwriters Society with tags on December 1, 2009 by cairnwood

Aleister Crowley
12 October 1875 — 1 December 1947

A full moon ‘pon Crowley’s Feast should curry favor with the Beast

Arise, O Man, in thy strength!
the kingdom is thine to inherit,
Till the high gods witness at length
that Man is the Lord of his spirit.

93/93

FRESH BLOOD has been spilled

Posted in Crowleyana, Writing in Theory & Practice on October 31, 2009 by cairnwood

Congratulations to the winners of the FRESH BLOOD giveaway:

Ron Brosse, Justin Miller, and… Jim Cobb

My thanks to everyone who took interest and entered the raffle.

Happy Hallowe’en and a Blessed Samhain to all.

FreshBloodCover-web

Aleister Crowley’s Simon Iff

Posted in Author Spotlight, Crowleyana, Occult Detective Genre on October 12, 2009 by cairnwood

180px-Aleister-Crowley-32KBAleister Crowley (October 12, 1875 – December 1, 1947) is a man who should need no introduction. An infamous occultist, whose name has been spoken of in hushed whispers since he first stepped onto the world stage, has been both heralded and reviled. Dubbed the “wickedest man in the world” by the British Press, Crowley was a man ahead of his time. A magician of renown, to be sure, but Crowley was also a philosopher, a poet, an accomplished mountaineer, a painter, a masterful chess player, and much more.

Aleister Crowley is best known for his writings on the esoteric, with the body of his work viewed as the definitive examinations of modern magic, beautifully bridging the ancient mystery traditions with the brave new world of  scientific methodology.

But there is one key aspect to this man that has been unfairly overlooked, in my opinion… that of the occult detective storyteller. Crowley’s Simon Iff tales are wondrous explorations of human psychology, served by the protagonists sharp wit, keen observational skills, and expert knowledge of the mystic arts. Having been the subject of one exceptional novel, Moonchild, and more than a dozen shorter works, Crowley’s Simon Iff deserves a place of reverence held for him by the connoisseurs of weird fiction.

In honour of the 134th anniversary of the Great Beast’s nativity, I am proud to shine the Occult Detective Spotlight on Aleister Crowley and his work as a master of the occult detective story…

What’s in a Name?

by Aleister Crowley
writing as Edward Kelly

Simon Iff was a magician.  A magician is a superstitious idiot.  Therefore, Simon Iff, travelling to America, carried nothing but a convenient handbag.  Why?  To carry more, said he, is to pretend that America is a long way away.  This would be an insult to the ghost of Robert Stephenson, I do not mean Robert Louis Stevenson.  It is not safe to insult ghosts.

Now there were certain people who believed that the madness of “Simple Simon” was as carefully calculated as a Table of Logarithms, and those of this creed who happened to be in New York, at the Cunard Pier, just as he crossed the gangway from the ‘Mauretania’, were rejoiced to observe that his absurd fear of ghosts had saved him from any similar emotion in the presence of the Custom House Officials!

“Through already?” cried his friend, Keynes Aloysius Wimble, of the “Literary Chyle”, a native of Birmingham, England, and sometime of Nairobi and a very minor college at Oxford, but esteemed by Simon on account of his astonishing talent for ecclesiasticism, his profound knowledge of foreign tongues, his atrocious insolence of manner, and his overmastering determination to get to the bottom of everything that came his way.

“My dear man!” replied Simon heartily, “I am ‘through’ on one condition – that you do not ask me to spell it t-h-r-u.”  This was his first and only criticism of the American continent.  Like Hamlet, (there cracked a noble spirit) the rest is silence.  “This way, then,” cried Wimble, “this way for my tin Lizzie.”  Thus unassumingly did he refer to his tremendous roadster.  The journalist was a Power in America.  Without the ‘Chyle’ no one would have known what not to read.  As nobody would have read anything, in any case, the value of the publication was universally agreed to be immense.  Its circulation was beyond anything ever discovered by Harvey, and it paid its editors almost as well as if they were man-milliners or cooks.

“Thought I’d drive you to the cottage,” said Wimble.  “Lizzie’s been eating her head off all the week.  Besides, we have to pay a visit of condolence.  Our local Saint has lost his wife in the most distressing circumstances.  It appears that she took Bichloride of Mercury in mistake for Aspirin.”

“Ah! the Chemist’s Boy in Pickwick!”

“Don’t joke!  The old boy’s the best fellow alive, and he’s utterly broken up over it.”

“I thought ‘local Saint’ was sarcastic, perhaps.”

“Not a scrap.  He’s not ostentatious about it; but he does good everywhere, and is beloved by everybody.”

“Religious?”

“Intensely so.  Has a bluff frank way with him that you and I might think irreverent; but it’s better than cant and hypocrisy.  He’s very highly thought of in the Presbyterian Church.”

“Ah! a Scot?”

“Name of Burns.  Phineas Calvin Zebedee Burns.”

“No, no!” cried Simon Iff, “I don’t like that.  The man certainly poisoned his wife!”

Wimble roared with laughter.  “Dear old England!  I used to feel that way myself; but eight years here have put me hep to all the bughouse monikers.  (You may as well begin to learn the language.)  Where a Member of the United States Senate, finding himself named Hogg, can call his daughters Ima and Ura respectively, there’s nothing in a name!”

“I’ve heard that.  It’s a stupid joke, of course.”

“No; it actually happened.  There’s no background.  Anything can happen; anything.  Anything!”

The car crossed the great Bridge, and gained new speed as the open country welcomed it.  The day was frosty, and a black sky to Northward held snow in its shroud.  The two friends fell to silence; then Wimble broke out into a passionate attack on the Belgians; for this was in 1911, before the year of the Great Enlightenment.  He was not content to blame isolated officials for the atrocities of which his paper published weekly photographs; he proved that the fault lay in the inherent cruelty of the Belgian nature.  He even blamed Cléo de Mérode and Anna Robinson, thus casting a slur upon Charlemagne and George Washington.  Simon Iff did not appear particularly interested.  “When I was in the Congo,” was his only remark, “I had boils.  I ate standing for three weeks.  Nobody sits down in the Congo!”

Presently the assailant of King Leopold desisted in favour of topographical information.  “That,” said he, pointing, “is the house of P. C. Z. Burns.  Zee, not Zed, please!  Inside and out, materially and spiritually, one of the best houses in the section.”

“It is really quite delightful,” said Iff, though he would probably at the moment have preferred a wattle hut in Annam.

“We shall lunch with Phineas, for it is two hours more to the cottage.  He has a perfect cook.  Pray for Squab Soup, and a Celery Cream Broil of Saddle Rocks!”

“I have too long omitted these items from the schedule of my daily supplications.”

The car passed through magnificent wrought brass gates swung upon marble pillars, and entered a long avenue of trees.  It was evident that love had made a paradise, not money alone.  Simple Simon expressed his pleasure.

“Yet Burns lives a life of Spartan simplicity.  Here at least, wealth has not corrupted Republican manners.”

“Was that what I saw on the boat?” murmured the magician.

Wimble displayed the renegade’s obstinacy.

“There’s something fine and big about the frankness of these people; there are a few Anglophile snobs, but the real American is a man all through.  And Burns is one of the best of them.”

The man himself was pacing the terrace of the house when the car drew up before the door.  His whole attitude denoted dejection, even agony; yet one could see that he had braced himself to meet his sorrow.  “It is the Will of God” was written on the face that he lifted to see whose importunity disturbed his grief.  By his side waddled a somewhat self-important little man, a chubby good-humored parson dressed in rusty black cloth, his face rubicund and plump, his attitude rather like that of Monsieur Rostand’s chanticleer, who believes that he has just caused the sun to rise.  His fingers gripping an oblong of dram paper.

“My dear Wimble,” cried the little fellow, running forward as Iff and his host alighted, “you have arrived at the psychological moment!  Our friend’s munificence has surpassed itself; we are to have a Memorial Hospital.  He has given me a check for a million dollars!”

“It is very touching,” remarked Simon Iff.  “It reminds me of the Sultan who built the Taj Mahal.”

“I didn’t know they had hospitals in Turkey,” said the little minister.

“No?”  said Simon Iff, politely.

Phineas Burns walked up, greeted Wimble with subdued warmth, and extended a hearty hand to Simon.  The conversation became general for a few moments; presently the Presbyterian went away, hugging his check, and Burns asked them to be seated in the library.  “I want you to stay over dinner,” he said; “it is full two hours to our friend’s cottage.  And I should like you to meet my daughter.  I am no physician for such grief as hers; I beg you to do all in your power to distract her thoughts from our bereavement.”

Simon Iff liked even the word ‘dinner’ as applied to the midday meal; it smacked of that Republican simplicity which his chance companions on the Mauretania had somehow missed.

The door opened, and a slight girl came in.  Her father was repeated in her.  His tallness, his leanness, his narrow brow, his thin lips, his pale complexion, his solemnity, his nervous tension; all these were already marked in the child of fifteen years old.  But what most struck the old mystic was the extreme misery in her eyes.  Burns himself had none of that; rather was his eye moist, genial, and humourous.  And Iff saw too that she moved as if under some most powerful constraint.  So unpleasant was the impression that he was shocked into silence.  Burns left the room, making an excuse about ‘ten minutes with my secretary’; Wimble started an animated conversation with the girl, whose name was Claudine, and Iff never stirred.  But his face darkened and darkened as the conversation went on.  Only after some minutes did he seem to pull himself together.  “I think we shall have snow soon.  There is a heavy black sky to windward,” he said, addressing himself pointedly to Claudine.  “Don’t you think so?”  The girl hesitated.  “I shouldn’t be at all surprised,” she answered at last.  Simon Iff did not reply.  He rose abruptly, clapping his hand to his forehead, and went out on to the terrace.  Wimble was cynically amused.  Was his old friend in ‘love at first sight?’  He had always had the reputation of an ultra-English aplomb – and here he was, violently agitated about absolutely nothing.  However, he went on talking to Claudine.

Iff, on the terrace, was literally kicking his way from nowhere to nowhere.  A lank gentleman with a little black bag came up to him.  “Excuse me, Sir,” he said, “can I do anything for you?  I’m a doctor, and you look to me in pretty bad shape nervously.”

“Nerves still holding out,” replied Iff grimly.  “I only landed this morning.  But you can help me – if you were in attendance on the late Mrs. Burns.  You were?”

“Surely.”

“She died of Mercury Bichloride poisoning?”

“Surely.”

“Where did it come from?”

The doctor was silent.  “I ask,” pursued Simon Iff, “because, in England, don’t you know, Bichloride of Mercury doesn’t grow on bushes.”  He had been warned that he would be expected to say “don’t you know” as often as possible, and was trying to behave.

“I never thought to inquire,” replied the doctor at last.

“Do you mind if I put that down in my notebook?” said Simon joyfully.  “It’s a wonderful phrase.  It explains the world as nothing else does.  ‘I never thought to inquire.’  Columbus did, don’t you know?  Which shows that there are two sides to every question.”  The doctor thought that the old man was decidedly in need of his skill.

“You never prescribed Mercury for any one in the house?”

“Certainly not.”

“Ah!”

“What are you suggesting?”

“Nothing.  I was waiting for you.”

“Well, good morning.”

“Good morning.”

Simon Iff drifted back to the library, and gazed blankly at the books.  There was a wilderness of theology, a sobriety of ‘classical’ English and American novelists, nothing modern.  At the end of the shelves was a strong room door, and the old man looked upon it with a wistful eye.

“Where is your father’s place of business?” he asked Claudine.

“Wall and Vine,” she said, after a pause.

“He must be a very busy man to make so much money?”

Another pause.  “Oh yes!”

“I hope he never brings his business home?”  Still hesitation from Claudine.  “Oh yes! he has an office at the other end of the house, where he works at night, sometimes.”

“I think we shall have snow.”

Wimble was thoroughly irritated by Iff’s imbecility, and might have said something but for the return of Burns, who took them to the dining-room.

The conversation took the subdued turn natural to a house of mourning.  Once the bereaved husband spoke in low tones of his dead wife’s goodness.  He hardly touched his soup.  The second course was a planked shad.  Wimble in a few well-chosen phrases introduced this remarkably excellent fish, and instanced its delicacy of flavour as an example of the effeteness of Europe.  As it happened, however, the shad was abominably cooked.  It was impossible to avoid remark.  “Mary was so beloved by all,” explained the host; “nothing has gone right in the house since she passed over.”  Simon Iff hated people “passing over” or “being taken from us” when they had merely died, for he hated every kind of camouflage.  He observed his host narrowly.  It struck him that his words were entirely false.  Unless his whole power of psychology were at fault, the man was boiling over with impotent anger.  It was quite incommensurable emotion, out of all relation with any visible circumstance.

“I understand, Mr. Burns,” he said slowly, “that the servant problem is very acute in America.”

He kept the conversation to this subject throughout lunch, to the despair of Wimble, who tried again and again to change the topic.  The victory was Iff’s, and he crowned it by inducing their host to suggest a visit through the kitchens, to inspect the labour-saving devices in use in America.

Simon Iff thought that mechanical perfection might have been more fortunately attained had the cost in morale been less severe.  The cook was a quadroon woman of thirty, muscular, high bossomed, with a strong, even a domineering face.  Her sensual mouth and arrogant eyes told of selfish passions never restrained.  She made her independence felt, even to the strangers.  In Europe her manner would have been called self-assertive; Wimble whispered to Iff that the price of liberty was eternal vigilance.  “Yes,” said Iff, “but ‘Halt, friend, and give the countersign’ becomes a little wearing after a while.  I think I’ll consult that doctor, after all.”

“We can do that,” said Wimble laughingly, “on our way to the cottage.”

Once in the automobile and well away from the house, Iff sat up and began to take notice.  “Do me a favour, Wimble,” he said.  “Let me dine in the city.  I want to spend half an hour there first of all with a new and unexpected but I trust much-to-be-valued friend.”

“Why, what’s the big idea?”

“I want to chat with the Commissioner of Police.”

“Wha-a-at?”

“About this murder, you know.”

“Murder?”

“Mrs. Burns.”

“Good-night!”

“Didn’t you expect this?  I had an idea that my fame had crossed the Atlantic.”

“Yes, but I thought you were the real thing, not a Sunday Magazine Detective!”

“Come! you’ve seen all the people, and you know all the facts.  Can’t you put two and two together?”

“They only make four.”

“Oh, this case has some very mysterious sides to it.  For example, there are two things of unknown origin in it.”

“As?”

“One:  Bichloride of Mercury.  The doctor couldn’t suggest how that got into the house.”

“It might have come in fifty ways; it doesn’t implicate anybody.”

“Yes, but there’s a thing that only came in one way, and implicates somebody very much.”

“That’s?”

“Claudine.”

“She’s the child of her parents, isn’t she?”

“The name, I mean.”

“Americans are always giving odd names to children.  Why, we discussed that already.”

“We did.  Didn’t it mean anything to you?  ‘Ima Hogg” and ‘Ura Hogg’:  does that tell you nothing about the father?”

“Peculiar sense of humour.”

“Precisely.  Now then, what about Claudine?  Any ‘free association’ about Claudine?”

“Why, Willy, of course.  Claudine en ménage, Claudine s’en va – that’s all, though, I think.”

“Right.  Willy, naughty French novels.  Now then, that’s a curious name for a stern Puritan father to give to his daughter, isn’t it?”

“Possibly a relative of that name.”

“Possibly.  But how does that connect with an unexplained supply of Mercury?  In your imagination, I mean.”

“All this is the most far-fetched, fantastic stuff.  Better argue frankly that Funny Ass sounds fishy!”  Iff bore up under that foul blow.

“Consider Claudine herself.  I say it’s Wednesday, and she takes thought before admitting it.  What does that mean?”

“Mannerism.”

“Suppression resulting from years of brutal tyranny.”

“Oh nonsense, she’s a happy, care-free, charming child.”

“It’s as much as her life’s worth to be anything else.  Look at her eyes!”

“Rats!”

“Next, that shad.”

“Well?  Badly cooked – I suppose the cook – oh bunk!”

“On the contrary, bed, I hope, for me to-night.  But did you observe that our philanthropic friend excused the cook on account of her desolation at ‘poor Mary’s’ death – and that he was inwardly boiling?”

“I did.  He was sensitive, no doubt, about the quality of his hospitality; but his good heart forbade him to blame any one.”

“Wimble, you are a very young and very innocent child.  I like you.  Here is a harsh tyrannical type, a terrible fellow both in his business and in his home; but he daren’t blame his cook when he had every right to do so.  I can only explain that attitude by guilt and fear.  You, on the contrary, are mother’s darling.”

“You are yourself a loveable character – especially if asleep.”

“That however rarely occurs.”

“Well, here’s Headquarters.”

The Commissioner was delighted to meet the famous Simon Iff.  And what could he do for him?

Mr. Iff would like a photograph of Phineas Burns shown to every doctor of high reputation in New York, Boston, and Philadelphia, with a query as to whether he had come for treatment; and if so, for what?

The Commissioner was amazed.  “I shall have to ask for something more than that,” he said slowly.  “Very good,” said Simon Iff.  “I prefer a charge of murder in the first degree.”

“On what grounds?” asked the Chief.

“Well, he called his daughter Claudine,” said Simple Simon.

“English Law?” queried the Commissioner.

“There’s more than that.  He hides his feelings in the matter of planked shad, and Claudine hides her feelings in every matter, and the cook doesn’t hide her feelings at all.”

“You can’t tell that to the Grand Jury.”

“I know it.  That’s why I want the evidence of the doctor.  Once I get that, I’ll show you a little of our Thirty-Third Degree.”

“Damn it, I’ll do it for the fun of the thing!”

“That’s all I do it for, don’t you know?” Simon Iff remembered his manners just in time, and clinched the Commissioner’s opinion that he had to do with a crazy Englishman.

A week later Simon Iff received the information that Phineas Burns was undoubtedly the Godfrey Smith who had been under the treatment of Dr. James Gregg Tardie of Philadelphia for ten years past.  Dr. Tardie had prescribed the Bichloride of Mercury in small doses for months at a time.  And would Mr. Iff favour the Commissioner with a visit?

Mr. Iff conferred the favour requested.  “We found out some more while we were on the job,” said the big man.  “Burns has been leading Some Double Life all these years.  ‘Black’ seems to be the bug in his dome.  You’ve given me confidence, I’ll admit; but it’s still a long way to that Grand Jury and the little arm-chair with the pep.”

“Oh, no!” said Simon.  “It’s as easy as falling off a log.  Leave it,” he added with an embarrassed blush, “leave it to your Uncle Dudley.”  And then he added “don’t you know?” in a spasm of modest confusion.

“Surely.”

Iff decided that he had passed the test.

“But what exactly do you propose to do?”

“Just put it to him nicely and simply, don’t you know?”

“I do not.  But, ‘don’t you know,’ he’s liable to throw you out.”

“Yes, I would like to have you come down with me.  I think if you were there he’d listen quietly because he wouldn’t quite know what your presence implied.  My knowing the name of Tardie will be another little scare.  But all I need is that he should listen; and he’ll listen – if only just to call my bluff!”

“And you’re only nine high!”

“The number nine, according to the Pythagoreans, is sacred, and attains the summits of philosophy.”

“Very good.  I certainly want to sit in to the game.”

They went down to Burns’ house, and found him alone.  He greeted the Commissioner with just the proper feeling.  Iff asked for a special interview ‘on important business’, and came straight to the point.

“I want to say my say,” he began, “before my friend here says his.  I have only one remark to make, which is this:  The wages of sin is death.”

Burns smiled, and lighted a cigar.  This fanatic amused him.  But he restrained an early impulse to answer anything.

“Whatsoever a man soweth,” went on the mystic, “that shall he also reap.  He that soweth to the flesh, shall of the flesh reap corruption.  Doctor Tardie tells me …”

Simon Iff broke off as he saw that Burns had let his cigar go out.  He waited for him to relight it.  The Commissioner noticed how great an effort it cost him.

Iff did not have to lie; he switched off from an indicative to an apodictic proposition.  “A man of your nervous tension is particularly liable to end with locomotor ataxia, general paralysis of the insane, or softening of the brain.”

Burns took no second chance with his cigar, he puffed vigorously.

“It is hard for thee to kick against the pricks.  You indulge in secret your desire toward an inferior race, as you deem it – and you end by finding yourself in the power of your own cook.”

Burns smoked more easily.  A slight smile touched his lips.  But Simon Iff was watching his eyes; there was no smile in them.

“He that, being often reproved, hardeneth his neck, shall suddenly be destroyed, and that without remedy.”

Simon Iff shut his mouth like the snapping of a trap.

Burns, unmoved, smoked his cigar steadily to the end.  Then he crushed the fire of the butt upon a silver ashtray.  Then he went to the door of the strong room and opened it.  From a drawer he took a heavy revolver, and deliberately blew away the top of his skull.

The Commissioner was on his feet, gasping.  A second glance assured him that the man was dead.  He turned upon Iff with a mixture of awe and horror.

The mystic, in his turn, had drawn a long black cigar from his case, and was lighting it with a hand that did not tremble in the least.

“My dear man!” was all the Commissioner could say.

“You want to know, of course?  Come here!”

The magician stepped across the body, and opened one of the drawers in the strong room at random.  It was full of photographs.  “Pah!” cried Teake in disgust.  “Observe!” said Simon, returning to his easy chair.  “When I came here I had no idea at all that the death of Mrs. Burns was anything beyond the accident it appeared.  But the moment Claudine stepped into the room I understood from her manner that she had been bullied secretly and subtly until she was afraid to express herself in the simplest matter without thought, earnest thought, as to whether it might not get her into trouble.  Yet a mask was always put upon the truth; she and her mother were always obliged to exhibit a ‘happy home’, an ‘ideal American family life’.  I began to understand the hard brutality of the man from that as well as from his success in business.  I know also that he had expressed his own vices in the naming of his daughter after an immoral woman.  Of course he would not have dared to use any name which the general public would have connected with lasciviousness, such as Cleopatra.  He chose a name to which not one American in a million would attach any significance whatever.  Returning to the mother, then what must her life have been with such a man?  I began to suspect suicide rather than accident.  So I asked the family doctor whence the Mercury had come.  He could not tell me.  ‘Claudine’ gave me a clue.

“Before I could go further, lunch arrived.  I found this hard brutal cynical sensual man, annoyed at his cook’s blunders, making excuses for her.  Fear, I thought!  What else could explain the situation?  So I contrived to see the cook, and found an ambitious and intriguing woman, a woman of almost a male quality of lust, grasping at power like Browning’s John the Pannonian.  Then I perceived what influence might have forced him, with the Mercury ready to his hand, to murder.  Oh, a safe murder!  Who would suspect him of having such a drug?  Who would guess, when he had been so careful as to go to Philadelphia to consult a physician under an assumed name?  Even were the Mercury traced to him, still an accident!  ‘Poor woman, she took my tablets in mistake for hers!’”

“Yes,yes!” said the Commissioner, “I follow.  I understood your train of reason before we came here.  But how in God’s name” – he crossed himself – “did you come to suppose that the hardest-headed man in America would fall for all that stuff from the Bible?  Man, it isn’t common sense!”

Simple Simon smiled with wide-open, childish eyes.  “But, my dear Commissioner, think of his name!  Phineas Calvin Zebedee!  Don’t you know who Phineas was?  He ’stood for the Lord’ when all Israel ‘went an-whoring after Moab’ or something.  And Zebedee, the father of James and John, the ‘Sons of Thunder.’  There’s your religious atmosphere!  And Calvin!  Why, the boy sucked in Calvin with his mother’s milk.  He was born and bred to that one great idea of inexorable fate.  Though the mills of God grind slowly, yet they grind exceeding small, and all that, don’t you know?  On the top of that, too, what do we know of the father who named him?  A narrow bigot, who repressed his son’s normal instincts, and named him after a tyrant like himself, but with a passionate revolt against enforced chastity seeping at the very base of his nervous system!  Well, the lust side of him was the art side too; he naturally dramatized the fate that his other side assured him must one day fall upon him, and he saw that fate in my person when I quietly reminded him of what penalties he had incurred.”

The commissioner sat awhile in silence.  Suddenly he shook himself like a dog.  “I suppose I’d better get after that cook,” he said, mechanically.

“Spare yourself the pains and the humiliation,” said Simon.  “He will have left her every penny – you don’t have one chance in a million.”

“True; but can’t we do something for Claudine?”

“We can get back to New York, and dine at the Club.  Claudine will be either a courtesan or a nun, and we can’t help in either case.”

“We can get back to new York; in fact I must; but somehow I don’t feel like dinner.”

And so it came about that Simon Iff dined that night with Wimble; but the only explanation that he would give was most unsatisfactory.

“It’s my idiotic vanity, child!” he said, with his eighth creme de cacao; “I said to you jokingly that a man with a name like that was bound to have poisoned his wife, and so of course I had to prove it.  I think I will have another Corona.”

Wimble, who always pretended to be excessively mean, pretended to writhe; but the waiter brought the cigar.

Available now from Penny Dreadful

Posted in Crowleyana, Occult Detective Genre, Wolfe & Crowe, Writing in Theory & Practice on September 15, 2009 by cairnwood

Ashes to Ashes cover copy 2Ashes to Ashes

Dr. Landon Connors is a respected detective…of the occult, with enemies on both sides of the mortal plane. When one of mortal kind approaches Connors with a job, he is both surprised and intrigued. Surprised because of the approach…intrigued because the job involves something his father sought…the ashes of Aleister Crowley.

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the_cabin_in_the_woods

The Cabin in the Woods

Dr. Landon Connors enlists the help of two FBI agents, Wolfe and Crowe…from within the Paranormal Operations Division…to look into  a group known as The Nightstalkers, a group who fight the forces of darkness, outside of the law…and a place that is something of a way-station  for things on the other side.

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Available for a mere 1.50 pounds each.

Order HERE

This is just the beginning, as this announcement from Ghostwriter Publications shows:

In his characters, Wolfe and Crowe, Bob Freeman has created the modern day Mulder and Scully. But these two FBI agents now work as part of the officially sanctioned Paranormal Investigations Division. 2010 sees the first of a trilogy of novels, Descendant, and to introduce  them, Freeman has penned The Cabin in the Woods…which will then be followed by three separate tales, The Hour of the Wolf, A Murder of Crows and The Gathering of Shadows.

The first of the quadrilogy begins on October 5th, with Hour of the Wolf following just in time for Halloween.

wolfeandcrowe_trilogy

The Writing Method

Posted in Crowleyana, Ghostwriters Society, Writing in Theory & Practice on July 17, 2009 by cairnwood

There’s a story that’s been passed around about actor Daniel Day-Lewis, whose particular brand of “method acting” is legendary. After a long absence, Day-Lewis returned to his first love, the stage, when he joined Richard Eyre’s production of Hamlet in 1989. Playing the titular role of the haunted Danish Prince, Day-Lewis collapsed in the middle of a scene where the ghost of Hamlet’s father first appears to his son. He began sobbing uncontrollably and refused to go back on stage, supposedly because had seen the ghost of his own father. Years later, Daniel Day-Lewis confirmed this rumor to be true, he had in fact been visited on the stage by his deceased father, and Day-Lewis has not worked in theater since…

So, a true manifestation, or product of his acting method? Remember, this is a man who is famous for staying in character even when the cameras are not rolling. For My Left Foot he remained in a wheel chair throughout filming, much to the chagrin of his acting colleagues, and his research and preparation for The Last of the Mohicans found him living off the land for months, learning to hunt, fish, and skin animals… using techniques of the era in which the film was to take place…

Few could argue that his performances are not brilliant, but what does this have to do with writing?

I have found, in my own dissection of the craft, that when the words come without effort, leaping from my fingertips to appear as if by magic on the computer screen in front of me, that I lose myself in the characters I am writing. My mood becomes colored by the images that flow from mind to page. For an author of dark and foreboding tales, these mental shifts can be quite bothersome, but crucial to that art of it.

The biggest problem I find with this is my current writing schedule, which is haphazard at best. I squeeze in an hour here and there, eager to just get the words down and I’m finding the narrative more challenging because the Method of Writing, akin to Day-Lewis’ immersion into his character acting, is lost in such fleeting moments.

I discovered rather quickly that if I submerged my personality, supplanting it with that of the characters I was writing for but a brief time, the rest of my day would be filled with utter turmoil. It’s not something that can be turned off and on like a switch.

So I’m faced with a dilemma. How to capture the magic and infuse my writing with the same fire I had when I had hours on end to devote to the craft of it? How to envelope myself in a character, when I’ve but an hour or two at best, to get blood onto that page?

And so I turn to Aleister Crowley.

The final essential instrument that I mean to mention here is the ring. This fits over the index finger of the right hand, and acts as a sort of magical magnetic coil, magnifying the force of the will that passes along the index finger. It also serves as a miniature representation of the magic circle, and protects its wearer from harm. Perhaps the best form of the ring is a plain gold or silver band, a bit broader than usual. By it the Magus is wedded to the Art of magic. It is customary to inscribe the ring with names of power such as the Hebrew YHVH, the divine Tetragammaton.

Several different rings may be made for specific purposes. For example, an individual spirit can be made to reside in a ring, and its power utilized when the ring is put on. The ancient Greek magician Apollonius of Tyana possessed seven rings named after the seven planets, given to him as a gift by Iarchas, leader of the Brahmans of India. He wore each of these rings in rotation on the day of the week related to its planet. As is true of all the instruments, there is no exact pattern for the magic ring. The shape and choice of inscription depends on its use, and the personality of its maker.

Could I do the same to affect my writing? Could I charge magical artifacts through ritual so that when I put them on I could sink into the desired mindset and lose myself in the work, only to then remove said item and become whole once more?

Had I found the ever elusive “switch”?

Do not let it be said that we do not suffer for our art…

Own your own slice of the ultimate Crowleyana prize

Posted in Crowleyana on June 21, 2009 by cairnwood

From today’s UK Daily Mail, Sunday Edition:

Former Highland home of satanist Aleister Crowley up for grabs

BYERS from all over the world are queuing up to buy a piece of land once owned by satanist Aleister Crowley.

The 1.9-acre plot at Boleskine Estate on the shores of Loch Ness is on the market for £176,000 and agents have had inquiries from as far afield as Australia, Canada and the USA.

Crowley owned the estate from 1899 to 1913 and his experiments with the occult led to him being branded “the wickedest man in the world”.

There were countless tales of depraved devilworshipping ceremonies at the Highland site involving drugs, sex and animal sacrifices.

Rock star Jimmy Page, who owned the estate in the mid 70s, claimed there were “bad vibes” at Boleskine.

The plot comes with permission for a three-bed log cabin and a 140ft stretch of the loch.

Agents Strutt and Parker said: “People seem intrigued by Aleister Crowley and the goings-on at Boleskine but most are just asking about the site and what it offers.”

The Rites of Eleusis

Posted in Crowleyana, Ghostwriters Society with tags on June 19, 2009 by cairnwood

black_mass_idea

The Black Mass Idea as published by
P.I.P.: Penny Illustrated Paper (London, England)
on
Saturday, November 05, 1910;
pg. 596; Issue 2580

Was it polemically sent?

Posted in Crowleyana, Writing in Theory & Practice on June 18, 2009 by cairnwood

The first review of FRESH BLOOD is in, by the esteemed Kent Gowran no less, and can be read in full over at Brian Keene’s Message Board.

Here’s a pertinent excerpt:

“The closing round comes from Bob Freeman with a story called Mourn Not The Sleepless Children.  Aleister Crowley.  Its takes a bit of nerve, and some guts, just to write a story featuring this infamous fella, let alone to do a good job of it.  Bob nails it.  The story is set in Crowley’s own time, yet still feels like a modern tale.  The mood here is set quickly and effectively, and the story clips along at a steady pace without sacrificing storytelling for action.  There’s even a good bit of humor to be found here.”

FRESH BLOOD is available from Burning Effigy Press for a mere $8.00.

I came home to fresh blood…

Posted in Crowleyana, Occult Detective Genre, Writing in Theory & Practice on June 9, 2009 by cairnwood

FreshBloodCover-webFollowing a long day at work and a late afternoon doctors appointment I finally made my way home. Tired and in pain, anticipating cold Pepsi, a fistful of pain killers, and the comfort of my awaiting throne, I was instead taken aback by the presence of a parcel with my name on it. Tearing into it with all the fervor of a boy come Christmas morning, I discovered my author comp copies of FRESH BLOOD, that deliciously malevolent chapbook from Burning Effigy Press which features my little tale of terror titled “Mourn Not the Sleepless Children”.

There are few things more glorious than holding a new book with your name on the cover, and this chapbook is a thing of beauty. My hat’s off to Monica Kuebler and all the fine folk at Burning Effigy.

You can get a copy for yourself at the Burning Effigy store for only $8.00.

Believe me, it would be money well spent. FRESH BLOOD is a quality product with some awesomely malefic fiction trapped inside, begging to be released. C’mon… you know you wanna. What… are you scared? Well… you should be.